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With Malice Page 6


  The simple fact was that Americans liked to live above their means, and the agriculture industry helped to make that possible by producing a comparative abundance of food. Yes, the cost of that was being passed on to future generations, in the form of environmental changes that would have to be dealt with. Grant Lawrence and others seemed to view that as a moral issue, but it wasn't. It was a political issue, a choice made by the citizens of a democratic society. And they made that choice every time they went to the supermarket and bought ordinary produce rather than the more expensive, "all natural" items that were never more than a niche market.

  Senate Resolution 52 had to fail. Not to make Randall Youngblood rich—he was already rich—but to keep America fed, fit and strong.

  He was ruminating on that thought when Bill Michaels knocked at his door.

  "So where do we stand?" Randall asked.

  Michaels had that look in his eyes again, the look of a lion on the fringe of a herd of gazelles. "I think we have an angle to play."

  Randall nodded for him to continue.

  "The media's going to spin Lawrence as the victim of yet another personal tragedy. They'll bring up his wife's death. Hero conquers adversity and all that."

  "Right," Randall said.

  "Well, there's a rumor that the public didn't get the whole story when Lawrence's wife died. They don't have anything specific. Just that certain lines of inquiry were deflected, very obliquely, very discreetly."

  "Could be something," Randall said. "And it could be nothing. And it could be something that'll make him even more the hero."

  "That's true. And obviously we don't want to open that can of worms before we know what the worms look like. But I've got a man looking into it."

  "Anything else?" Randall knew something that vague wasn't enough to get Michaels' blood pumping.

  Michaels, ever the performer, let the moment hang for just a beat longer. "Yes. My source also says there's something fishy about the nanny's death."

  "Fishy how?"

  "He doesn't know yet," Michaels said. "But the lead detective—a woman named Karen Sweeney—doesn't like the smell of it."

  "Stay on it," Randall said. "And stay invisible."

  Michaels smiled. Randall hoped he himself would never be the object of that particular smile.

  "I'll handle it, sir."

  * * *

  Grant Lawrence called the homicide squad himself in the late afternoon. It felt strange to do it, rather than have someone else handle it for him, the way so many things in his life were handled for him, by people who seemed to be in a conspiracy to protect him from the ordinary details of his life.

  He had secretaries, both in Washington and in his public offices here. He had Jerry Connally, his right hand. All of them seemed to want to handle everything for him, sometimes even including his political duties. Occasionally he felt hemmed in. Mostly he was grateful to be able to keep his focus.

  But today he made the call himself. A supplicant, which wasn't a familiar position for him anymore. But he sure as hell didn't want to bring Jerry into contact with the police more than necessary, and he knew if he called his secretary at the local office, she would have a ton of messages from the press, constituents and colleagues. He wasn't ready to deal with any of that.

  So he called robbery-homicide and asked to speak to Detective Sweeney. Much to his amazement, she was there.

  "Yes, Senator," she said. "What can I do for you?"

  "I was wondering if I might be able to get into my house. There are some things I want for my daughters. Frankly, Detective, they need the comfort of the familiar right now. Their own clothes, their own toys, their own pillows and blankets. I left Washington in such a hurry this morning that I didn't even pack for them, other than bringing Belle's favorite stuffed animal and Catherine Suzanne's blanket."

  "I understand." Her voice remained detached. "Let's see…I'll be leaving here in about an hour. How about I meet you at your house in an hour and a half?"

  "That would be fine. Thank you, Detective."

  "No problem, Senator."

  But as he hung up, he realized it might be a problem for her. Through the detachment of her voice, he had sensed great fatigue. Well, she'd been up most of the night. He brushed away the concern that he was imposing even more on her limited time. His girls came first, and he wasn't going to let their needs go unmet.

  The phones at his parents' house had been ringing most of the day, and the line he had been on rang as soon as he hung up. The family wasn't answering. His parents' assistant, Keith Fairfield, was taking all the calls and messages in the office four blocks away, through the magic of call forwarding. Poor Keith. He was probably ready to tear his hair out…as were his own secretaries, now that he thought about it.

  He was going to have to speak to the press at some point. There was no escaping it. At the very least, he needed to issue a statement. He realized without guilt that he was trying to avoid what had happened, unwilling to address it head-on.

  He shook his head as if trying to clear it, feeling the fatigue of a sleepless night and the unbearable weight of grief trying to bend him, break him. It would be nice to let go, but it wouldn't do any good. Nor could he afford to.

  The girls were outside with their grandparents, splashing in the pool, resilient as only the very young could be. He watched them for a few minutes through the glass doors, a faint smile lifting the corners of his mouth. His daughters were his raison d'etre, even more than the political career to which he devoted so much of his time and energy. It did his aching heart good to see them enjoying themselves, to see that they could escape the grief that had haunted their lives, even for a little while.

  Then he went to dress for his meeting with Karen Sweeney, well aware that the press would be there, and would demand an answer to the stupidest question in the world: "How do you feel, Senator?"

  He shook his head again, feeling as if cobwebs clung to his brain, and dressed for television because he was going to be on television whether he wanted to or not.

  So he wore dark slacks and a dark shirt. He took a few minutes to shave, but he would be damned if he'd put on a suit. They were just going to have to take him as he was.

  * * *

  Karen Sweeney awaited him inside the house. The criminologists were still working the scene, although their number had shrunk considerably since the early hours. Now they were down to Millie and her team, working the two rooms they were sure had been invaded, leaving no dust ball unturned. Millie's thoroughness was famous, though there weren't many dust balls. Apparently Abby's thoroughness had been famous, as well.

  "How's it going, Millie?"

  The taller woman straightened and rubbed her lower back. A grimace creased her features. She was in the senator's home office, checking out the carpet. "I think we'll be done in a couple of hours."

  "Find anything that sticks out?"

  "Well, I've got enough latents to start my own fingerprint bureau. God knows how many people go through this house on a given day. The file cabinets were jimmied with a crowbar, though. It's like somebody tried to pick the locks, gave up in frustration or because of time, and just laid into them with a metal bar. The senator needs better cabinets."

  "I got the impression that the stuff here is mostly copies of things for his personal use. He probably isn't worried about anyone getting into it. He said there was nothing important there."

  "Somebody sure had a different opinion." Millie sighed and pulled off her rubber gloves. "I'm going out for a smoke. If any of my team start looking for me, they can find me out front."

  "Okay."

  Left alone in the senator's office, Karen walked around, taking in more detail than she had that morning. A stereo and TV were hidden in an armoire on one wall. Putting on gloves, she opened it all the way and looked inside.

  Apparently the senator enjoyed thrillers. He had a stack of DVD movies, among them All the President's Men, a film about the two Washington Post reporters
who'd exposed the Watergate cover-up. Interesting choice for a man well on his way to the White House.

  He also had a copy of The Contender, a movie about all the ugly maneuvering around the nomination and confirmation of a woman for the vice presidency.

  Cautionary tales, perhaps?

  His choice in music was eclectic, from Jimmy Buffett to Beethoven. She almost smiled at that. Her own tastes were also eclectic, a little of this and a little of that.

  "Karen?" called a voice from the front of the house.

  "Yes?"

  "The senator's here."

  "Let him in. I'm coming."

  She met Grant Lawrence in the foyer. The first thing she noticed was how grave he looked. How somber. But also how well controlled.

  He shook her hand. "Please thank the officer out front for me," he said. "He kept the press at shouting distance."

  She half smiled. "I wish he could keep them in Timbuktu, but I don't have the authority for that, so we'll settle for shouting distance."

  He responded with a faint smile of his own.

  "Do you just need to go to your children's rooms?"

  "Well, I could use some of my own clothes, if that's okay. And I've got a couple of spare suitcases in my closet to put things in."

  "That's okay. I'll go with you, if you don't mind."

  It was not a request, and she saw that he realized that. He nodded. "Any idea when I get my house back?"

  "Criminology has to release it. It might be a few days."

  They began ascending the stairs together.

  "It's not," he said, "that I'm eager to come back here. In fact, I'd rather not live here ever again. But my daughters…they're going to need the stability. So I guess I have to come back, at least for a while."

  She reached in her pocket and handed him the business card of a cleaning service. "These people will get rid of the mess."

  He paused on a step and looked down at the card. "Thanks. You know, it never would have occurred to me that this kind of business exists."

  "It's an ugly world."

  He didn't answer, and she looked at him from the corner of her eye. His face had become stony, as if he was fighting some terrible internal battle. Then he shook his head and tucked the business card in his slacks pocket.

  They went first to his bedroom, to get the suitcases. She stood diffidently to one side as he pulled them out and threw a few of his own clothes in them, suits, shirts, underwear, some casual clothes.

  Then she followed him to the girls' rooms, where he emptied drawers and closets of every wearable thing. The suitcases full, he carried them downstairs and put them by the front door. Karen stood on the landing and watched.

  When he returned upstairs, his face seemed even grimmer. He pulled out duffel bags from the closet in the playroom, stuffed their pillows in one, then began to go through the toys, deciding which to take.

  That was when Karen, unwillingly, began to feel her own heart ache for this man and the burden he bore. He lingered over each toy, as if remembering some special moment.

  For the first time she realized that even his children's toys held memories of Abby for him. Saddened, she looked away.

  "Okay," he said. "I'm all set. I'll get out of your way."

  She helped him load the duffel bags and suitcases into his car. The determined reporters, who had lingered all day, shouted questions their way. Karen looked at Grant and saw in his eyes that he'd come prepared to speak to them, like it or not.

  "Shall we do it together?" she asked him.

  "Are you allowed to speak for the department?" he asked. Obviously he was familiar with the ins and outs of official spokespersons.

  "I only wish they'd give me a P.I.O. on this," she said. "Unfortunately, I'm it. So yes, I can speak for the department. Whether I want to or not."

  He smiled, a brief flicker of the smile that half of America knew so well. It was even more impressive face to face, warm and open. Then the smile died. "I guess we're both here, whether we want to be or not."

  Karen signaled to the officer at the police line, and he raised his hands to get the reporters' attention. Once Grant's bags were in his car, she accompanied him to the cordon. A flurry of shouted questions greeted them, but she merely looked on in stony silence until they quieted.

  "As you're aware," she began, "Abigail Reese was murdered in the residence of Senator Grant Lawrence last night. Ms. Reese lived in the residence, and had lived and worked with the Lawrence family for sixty years. This is obviously an ongoing investigation, and I'm not going to discuss details, except to say that we have a number of leads and we are pursuing them. Senator Lawrence has agreed to say a few words, but please understand that he will not discuss the details of the case, either. And keep it brief. His family is grieving, and he'd like to get back to them."

  She turned to him. "Senator?"

  The change was almost palpable. He was still the same wounded, somber man who'd walked into the house a few minutes before. But he was also Senator Grant Lawrence. He spoke with calm, quiet dignity.

  "Abby Reese was at the very heart of my family. When my parents had to be away on location, Abby was there. Whenever I had a heartache or a joy, Abby was there. She was there when I graduated high school and college. She was there when I married Georgie. She was there when my children were born. She was there when Georgie died. And the very last thing my daughters did, before going to bed last night, was to call Abby to say good-night. There are no words to describe our loss. And frankly, I'd rather not have to find them. Suffice it to say that I have lost a lifetime mentor, friend, surrogate mother and companion. And I will miss her always.

  "I will, of course, cooperate fully with the Tampa Police Department in their investigation of this brutal and senseless murder. I have no doubt that they will find the person who did this terrible thing. And now I'll try to answer a few of your questions, but as the detective said, my family is grieving and I want to get back to them."

  "How was she killed?"

  Karen spoke up. "Again, I won't discuss details of the investigation at this point. The medical examiner and criminalists are still gathering and reviewing evidence."

  "Was it a burglary?"

  "It's too early to tell," Karen said. "Burglary is one possible motive we're looking at, yes."

  "Senator, will this affect your intention to run for the presidency?"

  She saw him bristle. "I haven't announced any such intention yet. And that's the furthest thing from my mind right now."

  "Will you hire another black housekeeper?"

  Now his nostrils flared. "There would be no way to replace a lost family member."

  "And that's enough," Karen said.

  "Is this related to your wife's death?"

  The senator drew a breath, as if calming himself, then locked eyes with the reporter. "I won't even dignify that with a response. My wife died in an auto accident."

  "That's enough," Karen said again, slipping an arm in front of him to drive the point home. "The department, and I'm sure the senator, will discuss further developments as they arise. Thank you."

  She pivoted on her heel and drew him toward the car. "I'm sorry, Senator."

  He nodded. "I'm used to it. It is, unfortunately, part of the price of holding public office. And perhaps, in some way, part of the beauty of the American system of government. Secrets are dangerous things."

  "Maybe so. But so are ugly rumors."

  As he was about to climb into the driver's seat, he looked toward a small knot of people gathered under a tree. He turned to her. "May I have a moment, please?"

  "You're a free man, Senator."

  "Thank you, Detective Sweeney. For everything."

  She watched his shoulders sag a bit as he stepped toward the group of neighbors.

  * * *

  Grant needed a familiar face, and he found it in Art Wallace. He extended his hand as Art walked toward him, leaving the other neighbors behind as he crossed the cordon.

&nbs
p; "I'm terribly sorry for your loss," Art said.

  "Thanks, Art. The jackals don't make it any easier, but I guess I have to deal with them."

  Art nodded, then angled his head toward the detective. "Do they know anything?"

  "Not a lot. It looks like a burglary." Grant closed his eyes for a moment. "Jeez, Art. She probably died for some files that anyone could have had for the asking."

  Art shook his head slowly. "I don't know what to say, Grant. If there's anything I can do, anything at all…"

  "Actually, I came over to ask, are your daughters home with you?"

  Art nodded. "Yes. My ex is getting married again, so I've got them for three months."

  Grant reached out and squeezed his shoulder. "I'm sorry, Art."

  "It was bound to happen." Art's wife had left him just over a year ago, and his pain was a palpable thing, even though he never referred to Elizabeth in any other way than as his ex. "So yes, I've got the girls for a few months. I can't tell you how grateful I am for that."

  "I can imagine."

  Art nodded, then smiled. "We should be grateful for our blessings as they come. Now, what can I do to help you out?"

  "This is going to be hell for the girls. They need a few days to adapt, but then they're going to need to get back in school. And I don't know how long it'll be before they'll give me the house back. Or how long it'll take to…" He couldn't speak the words. They stuck in his throat.

  "They're welcome to stay with us, Grant. They've always been welcome. You know you don't need to ask."

  "I know, Art. It shouldn't be for long. I hate to impose."

  Art took his hand firmly. "Grant, we've been neighbors for ten years. You're not imposing. I'd be glad to help, and you know Lucy and Jessie love your daughters like sisters."

  Grant managed a chuckle. "And they fight like sisters."

  "That's part of the package," Art said, smiling. "It's not a problem. Really. That's what friends do."